On the cobblestones – beat haibun for dVerse


It is solved by walking.
Algerian Proverb

My bare feet feel the smoothness of cobblestones and I reflect how it’s been worn down by generations of soldier’s boots, young boys to be sacrificed for some forgotten glory. I had came home alive, but still the exploding shells were with me, the bloodstains of my comrades could never be washed out of my memory. The voice of our sergeant screaming just before his head blossomed in a pink explosion that looked exactly like the roses sold by young girls down by the town square.

My saxophone’s wailing memories of blooming orchards stained with blood.

Passing people look at my appearance, shudder and clear their conscience with some small coins. After earning enough for a cup of coffee and a croissant, I head to a small cafeteria with red and white chequered table-cloths.

In bitterness of coffee I can taste the tears of mourning widows.

My tears have stopped rolling a long time ago, but I’m not ready to go home yet. For the moment I just linger here, on the streets we saved, me and my companions. Were I sometimes receive a smile of gratitude laced with shame. Your smile haunts me, and in your last letter you begged me to return. But deep within I know you don’t want me any more.

Lingering on cobblestones my soles still feel the soldier’s boots resonating.

Picture from Wikimedia Commons

Picture from Wikimedia Commons


Ligo Haibun goes exploratory to test other forms than haiku. I got the idea of writing a haibun by using “American sentences”, Allen Ginsberg 17 syllable writing. I tried to fit the prose to a war-tired beat-generation style. The image I painted inside was an American soldier remaining in a French Village. I will link this to dVerse OLN as well.

76 responses to “On the cobblestones – beat haibun for dVerse

  1. Bjorn this is an extraordinary piece. First of all it is unique, a world first, but you have really produced something special here. As you said before, what is in the American Sentences does not copy, it compliments. The first suddenly put me there, in gritty real, mournful life, mournful like the tone of the saxophone you brought alive. Very powerful first paragraph, but the closing lines are what makes this piece a classic – showing real psychology and perception. Very real, not at all sentimental but of course very sad. Really well done.

  2. how bitter sweet the end there bjorn….full of emotion and such a hard realization as well…the sax///blooming combination is really cool…great opening line as well on the boots that wear down the cobs…and why….

  3. Wonderfully descriptive and emotional… in the bitterness of coffee I can taste the tears of mourning widows… wow beautifully done and with the American Sentences it really works well. Excellent stuff!

  4. This one really does shine, Bjorn; a terrific use of the angst of both the soldier dealing with his PTSD, there in Paris at the outside cafe, & Ginsberg with the Beat boys back home, finding new ways to express themselves; as did you, sir. I loved the emotion in this, but stumbled twice over “soldier’s booths”, googling it did not help. Did you simply mean “boots”?

  5. oh heck…this has something haunting to it… the walking barefoot the places he used to walk as a soldier…the memories…the deep melancholy…not being able to let go – or not yet the time to let go…a wonderful write björn

  6. It is indeed an amazing piece: and the sandwiching between past and present, or thinking and seeing or whatever you would want it to be, works so well. You have hit upon a new concept in writing.

  7. WOW, your imagery and description so vivid, I could feel each memory, each heart wrenching change that took place in the character as a result of his war torn experience. Poignant and stark realism. I am still feeling the pain, right down to the bare feet on the cobblestones. Great write Bjorn

  8. Björn, the imagery in the first paragraph is incredibly vivid. I am sure thousands of young men were haunted by the wars they fought, and this surely holds true today. “But deep within I know you don’t want me any more.” – I wonder how many have that feeling.

  9. Bjorn, the last paragraph breaks my heart. I am feeling the sadness of knowing he is not wanted any more. War does awful things to people’s minds. Your poem portrays this vividly.

  10. Extra fine, Bjorn, in detail and layers and even in distinguishing the soldier’s voice from your own. It moved me. Is this an error: Were I sometime receive a smile … ? (Last non-italic stanza.)

  11. deeply thorough and well formed writing. the phrase “but I’m not ready to go home yet” struck me as especially powerful –amongst your other beautiful images –of a soul who seems rooted in the past with imminent fear of the future.

  12. Wow. This is really deep and evokes so many images and emotions when reading. There’s so many layers to this that reach out and grab the reader. Looking from the inside out we are the soldier who came home, never again to be the innocent that left. We are the viewer and the listener, hearing him play, seeing him on the peripherals of our daily life. Then we are him again, carrying all that baggage, and loss of those left behind. Wonderfully written piece.

  13. “The voice of our sergeant screaming just before his head blossomed in a pink explosion that looked exactly like the roses sold by young girls down by the town square.”

    THAT is poetic story telling. The whole thing was edgy and beautifully sad.

  14. I don’t know what I could add here, that has not been said already! Maybe just this- I like the way you bravely take on forms in your writing with sensitivity and clarity. And wht Margaret says: Poetic storytelling…I like that.

  15. This is just exquisite. Pain and sadness written so beautifully. I loved “Your smile haunts me, and in your last letter you begged me to return. But deep within I know you don’t want me any more.” Just wonderful!!!!!

  16. This is really lovely. A very moving piece. My tears have stopped rolling a long time ago, but I’m not ready to go home yet. These words totally made my day : “For the moment I just linger here, on the streets we saved, me and my companions”

  17. Fascinating– the idea of putting the American Sentences into haibun. We’ve studied both forms here in our local workshops, but I’d never thought of putting the two together. You certainly paint a vivid picture!

  18. Bjorn – love to see you stretching yourself with these sentences – becoming freer in your approach. I thought this was an incredibly successful exploration of a free form that fit the subject. Well done!

  19. Pingback: Ligo Haibun Challenge – Picture Prompt Week | Thoughts while on Forest Walks·

  20. Wonderful idea to throw in the Beat. I wasn’t aware of the American sentence before now. So much to learn still. Thanks for opening another door.

  21. What an incredibly heart wrenching piece of writing. The idea of combining the influence of Basho with Ginsberg strikes me as brilliant. Perhaps that is the way to express the world we live in right now.

  22. reading pieces that bridge a time like that to now has always had a haunting effect on me, how the past is caught in a story that will always keep playing. And this is so emotional, Great work!

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