His Fingertips will syncopate – dVerse jazz



I

smoo-ooth as silk,   swaying in togetherness
her hand …. in   her …
drum-d-d-drum – drum
ba-ba-BA-bass sway and swing
night together – candle flickering
smOOOth caress
diamonds and champagne

II

stale unshaven.
in unemployment emptiness
foreclosure letters, bills, bills …. BILLS
ceased to   care

she       left

III

dreamy blu-u-u-e
unlit cigarette
dangling from his lower lip —
humming – hum hum —
syncopate with taps tap-ta-ta-tap
fingertips on beer-stained formica
ta-tap –
raving screaming
solo — waaa-waaa-   BANG BANG
WAAAH – BANG —         lights shining
blue-light rhythmic stroboscope
woo woo woo — sirens synchronicity
syncopate Ta-tap-ta-ta-tap

IV

wailing saxophone – in tears
wa-wa-ta-ta-tap
strapped and turning – twisting
fingertips      ta-tap-ta-tap
heartbeat bap-bap-bap-bap
verdigris the walls walls walls
clo-o-sing in and       suf-suf-suf-ocate
ta-tap-ta-tap-ta.

V

with syringe diamonds finally
rel-e-e-e-ase
chemicals – bring silence
the saxophone and drum beats gone
breathing breathing silence
sleep

Copyright Björn Rudberg

Copyright Björn Rudberg

Today at dVerse Form for all Gay has us writing jazz-poetry… quite far from my ordinary iambs. Hope this fulfills requirements for enough of onomatopoeia, jazz beats or rhythms. Listened to Miles Davis while writing it.

September 12, 2013

54 responses to “His Fingertips will syncopate – dVerse jazz

  1. Very impressive, Bjorn. Your poem gave us the whole experience. Loved all the sensory details. The sound effects really enhanced the mood, and hearing Miles Davis was a sweet addition. I’d say this was pretty ‘cool jazz.’

  2. love how you played with sounds here björn… and yeah…def. very different from your usual rhythm but very, very cool…love that you tell a story as well…

  3. Picked up a new word here, brother-“Verdigris” & I do dig it. Great choice on the prompt to grind out the sounds to compliment & counterpoint the verse; uber cool write.

  4. A way cool approach here. Often recordings have different takes – I felt you captured so much in this method: the sounds, the deliberation, the improvisation, the technique, and lastly, the oft-told story of many jazz musicians – so hooked on “playing fast and listening slow” provided by doing drugs which ruin them in the end. You get a big Wow!

  5. You stepped outside of your comfort zone with great confidence and style. Wish I could do that too. The words become sounds and vice versa. Well done.

  6. So sad, Bjorn. The story reminds me of the novel “A Tree Grows in Brooklyn.” A classic read by Betty Smith. It’s an old movie too. I always wonder what is hidden in that soulful musice.

  7. In this dimly lit basement bar there’s the strong smell of whiskey, a blue fug with some interesting aromas goin’ on; up there on the stage those guys are playing only for themselves but they’re letting us watch. You took me right there, Bjorn

  8. Hey Bjorn – you have tapped out – in a poetic morse code–a whole story – such great rhythms here and great in and out of images as poetic themes- very vivid. k.

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